At only 18 years old, singer/songwriter Charlotte Eriksson left everything in her young life to pursue her music in England. After five EP’s, a full-length release, and an autobiographical book, and her own record label, she is now releasing her second full-length album. This album is perfect to listen to as you play some casino and sports betting games via phonedoctorสล็อต.

Eriksson, otherwise known as The Glass Child, has got a bit of imperfection in her voice, but judging by her story, her work wouldn’t be complete without it. “The Fall” is a pop-rock love anthem that introduces Eriksson’s work incredibly well. From that song alone she is able to portray enough anguish and passion to fill an entire album. On the other hand, “Who I Am” is a mostly solemn reflection that builds and builds as the song continues until it seems as if she can’t contain herself any longer as the final chorus begins. She belts, “I spend my days making up for the past while holding onto my life as I can.”

Above all, this is a very self-reflective album. She stays within her comfort zone by writing about her own experiences – which is admittedly what everyone knows best. But at the same time she has become incredibly vulnerable, exposing herself as if she’s letting her listeners in on some of her biggest secrets.

There’s such a fight in this girl’s words. She’s been through a good deal of trial in her young life, and these hardships have no doubt provided her with wisdom along the way. As a musician in her early 20’s, her sound is a youthful one, poignant one. Her words, on the other hand, show a different side of her. She has created something that is well beyond her years, and for that she should be applauded. With track names like “Running Up That Hill,” “Who I Am,” and “Who I’ve Grown To Be,” it’s clear that she’s got a lot to say about her life. And with her edgy attitude, she’s like a well-matured Avril Lavigne.

“The Water’s Edge” appears twice on the album, appearing once as the full-scale version and a second time as a stripped down version. Both versions are equally as interesting, showing us two separate sides to the artist. Along with this song, the other tracks you won’t want to miss include “London,” “Lonely In This Love,” and “The Fall.”

The sound of this album is contagious, never being too aggressive of too reserved. Instead, she has employed a happy medium. Eriksson has let us in on her search for The Great Perhaps, and many of us should not only be able to enjoy her music, but be able to benefit in one way or another from her words as well.

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